Grateful Dead Live at Madison Square Garden on 1991-09-10
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- Publication date
- 1991-09-10 ( check for other copies)
- Topics
- Soundboard, Matrix, GEMS, Dan Haugh,
- Collection
- GratefulDead
- Band/Artist
- Grateful Dead
- Resource
- DeadLists Project
- Item Size
- 1.0G
d1t01 | 2:44 | Crowd & Tuning
d1t02 | 14:04 | Shakedown Street >
d1t03 | 5:44 | C.C. Rider >
d1t04 | 4:26 | It Takes A Lot To Laugh It Takes A Train To Cry
d1t05 | 1:46 | Crowd
d1t06 | 6:13 | Black Throated Wind
d1t07 | 0:53 | Crowd
d1t08 | 7:46 | High Time
d1t09 | 1:41 | Crowd
d1t10 | 7:07 | Cassidy
d1t11 | 1:21 | Crowd
d1t12 | 9:25 | Deal
Set 2:
d2t01 | 1:41 | Crowd & Tuning
d2t02 | 3:15 | Help On The Way >
d2t03 | 8:02 | Slipknot >
d2t04 | 10:19 | Franklin's Tower
d2t05 | 13:04 | Estimated Prophet >
d2t06 | 12:20 | Dark Star >
d2t07 | 10:39 | Drums >
d3t01 | 2:22 | Space >
d3t02 | 12:19 | Dark Star >
d3t03 | 4:13 | I Need A Miracle >
d3t04 | 9:02 | Standing On the Moon >
d3t05 | 6:49 | Lovelight
d3t06 | 2:18 | Crowd
Encore:
d3t07 | 7:20 | It's All Over Now Baby Blue
Comment: *Branford Marsalis on saxophone throughout
Related Music question-dark
Versions - Different performances of the song by the same artist
Compilations - Other albums which feature this performance of the song
Covers - Performances of a song with the same name by different artists
Song Title | Versions | Compilations | Covers |
---|---|---|---|
Crowd & Tuning | |||
Shakedown Street > | |||
C.C. Rider > | |||
It Takes A Lot To Laugh It Takes A Train To Cry | |||
Crowd | |||
Black Throated Wind | |||
Crowd | |||
High Time | |||
Crowd | |||
Cassidy | |||
Crowd | |||
Deal | |||
Crowd & Tuning | |||
Help On The Way > | |||
Slipknot > | |||
Franklin's Tower | |||
Estimated Prophet > | |||
Dark Star > | |||
Drums > | |||
Space > | |||
Dark Star > | |||
I Need A Miracle > | |||
Standing On the Moon > | |||
Turn On Your Lovelight | |||
Crowd | |||
It's All Over Now Baby Blue |
Notes
**Note this matrix was created using the raw non-dithered transfers from the GEMS sources
Transfer: DATs > TASCAM DA-20 (SPDIF out) ->
LynxTWO-B Audio Reference Interface (SPDIF in) ->
Wavelab 6.0 by Todd Evans January 15, 2009 (todd@bluedakota.com)
Weiss Saracon used for 24-bit, 48kHz SRC (no dither)
Matrix synch completed by Amdig
SBD + AUD Matrix from 2 GEMS Source Mix
(65%-SBD/35%-AUD)
* Time sych done in CEPro 2.0
* Multitrack matrix mixdown to 24/48 in CEPro 2.0
Final Matrix Matstering:
Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station.
Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither
Encoding by BlueDakota. Tracked in Wavelab 6.0, FLACd Flac Frontend level 8
Tag & Rename for FLAC Meta-Tagging.
Art: Gyro
A **GEMS** Production www.shnflac.net
- Access-restricted-item
- true
- Addeddate
- 2009-03-30 02:45:32
- Identifier
- gd1991-09-10.mtx.amdig.gems.98132.flac16
- Location
- New York City, NY
- Transferred by
- Matrix by Dan Haugh
- Type
- sound
- Venue
- Madison Square Garden
- Year
- 1991
comment
Reviews
(8)
Subject: MSG '91
Subject: 26th Trip Around the Sun
Subject: Hornsby and Vince are lame
The front 3 and Branford together with the drums are sublime and visit some truly amazing places especially in the first segment of Dark Star, but up to that point of the show, all similar places have this spotlight of lameness from the keys shown on them that is really a shame and are embarrassing to any Deadhead who would wish to share the musical experience to someone not familiar. Fortunately they are taken down in the mix considerably during DS.
Those two clowns could throw a wet blanket on nearly any spark of inspiration. Hornsby is out of tune and all during Estimated it is painfully obvious. Even Vince's sax sound sounds better next to that. Which is another thing that is incomprehensible. That Vince would play that effect while on stage with Branford is just weird. Poor Hornsby was always caught somewhere between a soap opera soundtrack and a Parisian cheese fest with his accordion, which is mercifully absent here.
Both of them were vacuous players, watching Hornsby's clueless blank looks during jams was confirmation, and it was a blessing when it ended up being just Vince, who never got it all the way.
If you still want to give it a whirl, this matrix is a masterful work that incorporates all the elements of a NY crowd with a killer board. Other '91 era shows that stand out are 10/31 6/14 6/24,25. Plenty of cheese to go around.
Subject: head and shoulders imo
Subject: This is crazy good
Subject: credit
Subject: 2nd set is a real treat
Subject: Hey now!!!!
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